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Normally when someone thinks about very fine gemstone carvings, the imagination wanders to Idar Oberstein, Germany or China. However, we are now learning that some of the best gemstone carvers in the world are working in Thailand, Burma and Bali. Why? Because these carvers have learned their craft, skill and expertise with the inspiration of Buddha and/or religious animism. The shop owner will know within the first two years whether or not an apprentice is exhibiting enough promise for true skill. And there is usually only one or two apprentices in ten who show the required expertise to continue in their efforts to become a Master. Most of the Asian Masters are making the finest detailed carvings you can imagine of Buddha in various poses and sizes. Some of them are small enough to embellish the typical 24 karat gold necklaces that you see hanging on Thai men and women all over the country. From there they range in sizes up to 20 times bigger than the real Buddha 2,500 years ago. Normally the materials used for the Buddha images are those easily found in Thailand and Burma, such as white or gray jade and low-grade lapis lazuli. And, when available, a natural quartz crystal Buddha is one of the most prized possessions imaginable because of the special metaphysical properties attributed to Thai Buddhists. Ivory is also a favored material, but that business has declined severely since the worldwide ban of this ecologically precious substance. Most people probably think the Southeast Asian carvers would be much cheaper than the Master German Carvers. That would be true if talking about the top ruby and sapphire cutters in Bangkok and Chantaburi where they earn 15,000 baht a month. But in Chiang Mai or Maesai (the northern border of Burma in the Golden Triangle) a Master Carver makes 100,000 baht for the completion of a life-size Buddha to be sold or donated to a well-respected wat anywhere in Thailand. Such work takes the Master about 2 months to complete. So it is not at all easy to lure those few Masters away from their artistic profession in the realm of the wats. Not only is it a question of money, but the Asian's experience is totally foreign to natural wildlife subject matter. So the already well-skilled and experienced Master must undertake a new learning-training experience. But once those few masters bold enough to take up the challenge do it, the results are beyond spectacular (see attached images). The carving skill of the Asian Master is every bit as good as the German Masters. The only skill in which they still need some improvement is with their knowledge and understanding of the "exotic" gem materials. But, have no fear. They are easily up to the challenge. They only require more experience in the new gem materials, and will soon bring true Faberg? deja vu to the gemstone and jewelry market. |
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